The "On 1" style is a major division in the styles of Salsa distinguished by the timing the dancer employs in relation to the music. The "On 1" style is an "umbrella" for other styles based on geographical origin such as L.A. style, Cuban style, and Colombian style. The leader starts or "breaks" (breaking refers to a change of direction) on count 1 by stepping with the left foot. On count 2 and 3, they step with right and left, respectively. On count 4, the lead pauses....on counts 5, 6, and 7, they step with right, left, and right, respectively, again followed by a pause on count 8. As a standard, every step must be taken with full weight transfer. The follower part is identical, but shifted by 4 beats.
L.A. Style
L.A. style is one of the most popular styles danced around the world. It has been influenced heavily by other dance forms such as jazz, swing, and ballroom dancing. It was developed in Los Angeles largely by the Vasquez brothers; Francisco, Luis, & Johnny. Along with the Vasquez brothers, several other individuals are also credited with being pioneers of this style; those being Rogelio Moreno, Alex Da Silva, & Joby (Vasquez) Martinez. Later on, Luis and Joby went on to found the first salsa dance company in LA....Salsa Brava.
Cuban Style
This style is characterized by it's circular patterns, intertwining tunnels and twisting body work. The style is much less elegant than other styles, often times the leader will literally hold on to the wrists of his partner to move her around the floor. Another popular aspect of the Cuban style is Casino Rueda, which involves several couples dancing identical patterns (in a circle) that are called out by one of the leaders.
Colombian Style
Leader and follower do most of the movements in a tight box step, breaking back in each bar. This style is sometimes called "Cumbia Style" and in fact it fits very well with modern salsa-inflected cumbias (the pause in the bass line is the same as the pause in the basic step). Besides cumbia, this style is also influenced by swing and Cuban style. As such, in many patterns the leader and follower turn around each other, although not as much as in the Cuban style. |
